The Real Reason All Gospel Singers Should Take Vocal Lessons (It’s Not What You Think)

By far the biggest challenge I face daily in this ministry is convincing naturally gifted singers that they too need to invest in vocal lessons.

But that’s because so many people think vocal lessons are about teaching you how to sing. Well if I already know how to sing, and I was born into a family of singers, why would I need lessons, right?

But let me ask you for a moment to think about the last time you sang. Probably last Sunday. Whether you sang lead or background doesn’t matter. What matters is how you felt. Think back. Was there ever a time your attention shifted from the message you were singing about to the task of singing itself?

Think back. Did you at any time start to feel discomfort? Did you find yourself at any point just kinda wanting the song to be over?  If you did, you must understand that in moments like those your mind, heart and spirit are no longer available to God.

Physical and mental limitations become a hindrance to your ministry when they take your focus away from the message. You really can’t be a proper conduit for the Holy Spirit to flow through if the connection is broken.

That is the real reason all singers who proclaim the Gospel through music should invest in vocal training. It’s not so you can hold a note until the audience starts clapping in celebration of how long you’re holding the note. That’s about YOU. It’s not about being able to sing notes so high that they become almost irritating to the listener. That is also about you.

The real reason it’s important for Christian/Gospel singers should take lessons is to remove any physical limitations that distract you from the message. Physical limitations lead to mental distractions. Now your mind is somewhere other than focused on what you’re singing about.

Training your instrument simply makes you a better instrument for for God. It frees you from things that distract you. Things that keep you from being able to go when doors open. Makes you unable to focus your heart and mind on what you’re singing about. So when you take lessons you are taking steps to eliminate those things so that you can be more effective when you minister in song. Not by holding notes longer or singing notes higher, but by eliminating anything that breaks that spiritual connection to the message that you need to really move from performing to ministering. And that’s about God, not about you.

Listen, I can definitely understand the hesitation many people have to spending the money to take vocal lessons when they aren’t really sure they’ll benefit at all from them. You may have even been told as much by someone who took lessons. But you really can’t rely completely on someone elses’ opinion on things like this. There are too many variables.

Many people sign up but they quit after one lesson. Some continue to take lessons but they don’t practice at home so they don’t see results. So only you can decide if they’ll really improve your ministry, and you can only decide that by trying them.

I know that’s a scary thought for many people though. So I wanted every singer to have an opportunity to try vocal training for themselves without fear or reservation. To do that I created a free 5 day vocal training course. You can get this course by simply signing up for my mailing list. You won’t need a credit card, you will never be charged. It’s simply an opportunity for you to see for yourself what some training can do for your ministry.

You’ll be introduced to some simple, basic vocal lessons and concepts. If you take them seriously and actually do them, in a few days you’ll notice changes. At the end I’ll give you an opportunity to continue your training at a deeply discounted rate. Completely optional, of course. Some people go on to up-grade to the full home study course, but many more simply enjoy the free lessons and go their own way, more educated. Whether they upgraded or not though, thousands of people all over the world have taken this course and raved about it. You’ll see hundreds of testimonials below the video lessons when you join.

So take the the step right now by filling out the simple form below. If you do the exercises I’m going to show you in this course you will fill different by the very next time you sing. The next step will be up to you.

What makes a good singer? 2 things you should work on

I saw this topic being discussed among some of my peers on Twitter and thought it would be a good one to discuss here. What is good singing? Or, what makes a good singer? First of all I should start out by saying I understand quite well that what’s considered “good” is very subjective. There are as many opinions of what’s good as there are people. So let’s get clear about what I mean when I talk about good singing in the context of this blog.

The bible speaks of building your house on solid ground. A true foundation. No matter how beautiful the house is, it will eventually fall if the foundation is not solid and built to support it for many years to come. It’s that kind of “foundation” we’re discussing here. Let’s strip away all the vocal acrobatics, riffs and runs, looooong notes, power-house strength; everything that makes the “house” desirable. Let’s for a minute also remove from the conversation everything that has anything to do with the actual “performance” (some believers don’t like that word, but that’s the subject of another blog) of the song.

All of those things are important, don’t get me wrong. You need conviction. Power. A commanding stage presence. But all of those things are brick and mortar; the “house”, as it were. Without a solid foundation though, none of the other stuff is as effective. The basic foundation of all good singing, and in my opinion what every singer should be working on more than anything else, includes 2 elements:

1. Ease Of Range

Most people, by default, have about one octave that they can access with relative ease. They have another 3 notes or so they can “push” themselves to, and another 2 or 3 that they access with pure screaming. This age-old method of Gospel singing has been handed down through the years and is widely accepted as the norm. In fact many people have become so accustomed to listening to singing this way that it has actually become preferred.

There are two problems with this kind of singing, however. First, and most obvious (at least it should be) is the fact that it’s just not healthy for your voice. In fact it’s really bad for your voice. It would be different if we only visited those top 5 or 6 notes of our range occasionally to make an impact in a song. But that’s not the nature of Gospel music, is it?  No, Gospel music makes you go there and hang out for 5 to 7 minutes. This causes a huge amount of strain and stress on the vocal chords, which is why many Gospel singers spend most of their time hoarse.

The second problem with uncomfortable singing is how the tonal quality and pitch suffers the longer you do it. The more you sing at the top of your range in an uncomfortable, strained way, the more the actual tone and quality of your sound suffers. Many singers are simply “screaming on pitch”, by the time they’re 2 minutes into that vamp; and depending on the song, some have already been screaming on pitch several minutes before they got there. The irony of that is the fact that- well, when you sing that way, most of the time you AREN’T on pitch. Which brings us to the 2nd foundation of good singing;

2. Accuracy Of Pitch.

Nothing, in my opinion, is more important to good singing than simple accuracy of pitch. The fact is, if you sang into a machine that measures such things you’d be surprised to learn that most of us sing off pitch. But it’s undetectable without sophisticated measuring devices. However, a great many singers in Gospel are way off pitch, and way too often. I suspect the genre itself can again take some of the blame. Gospel music, like every other style of music, has it’s signatures. Big, powerful, raspy voices. Riffs, runs and trills. Really high choruses and vamps.

Most singers desire these style elements so much that they don’t have a problem at all sacrificing accuracy of pitch to get them. And many do just that. But even if you’re a well-loved, sought-after singer who is busy all the time and constantly receiving kudos for your singing, if you’re uncomfortable most of the time and off-pitch most of the time because of it, you’ve built your “house” on a foundation that will soon start to fail you.

What’s great about this whole thing is that when you fix number one, number 2 tends to fix itself. After all, if you’re straining and pushing for most of the song, then you’re literally pushing yourself off-pitch. And it’s hard to be on pitch very long if you’re not actually singing, but yelling.

What to do:

1. Start today making the tonal quality of your voice the most important thing. Don’t spend too much time working on runs or riffs. Work on singing the song on pitch, period. Even if you have to simplify things a little, don’t sacrifice pitch for anything; not power, not runs, not a super high note.

2. Don’t sing way out of your range. If the song has one or two notes that are high for you, there’s no need for you to pass on it. There are easy ways around that simply by approaching the melody in that place differently. But if a song requires you to be in a strained place or way out of your range for long periods of time, you should have the musicians drop the key. If that’s not possible, pass on it. Don’t let people insist that you do songs that aren’t right for you. You are not doing anyone any favors by singing a song that’s out of your range. Not the ministry, not the song, not yourself, and not God.

3. Every serious singer in music ministry should get some vocal training. Now we get to the sure foundation our house is built on. We’re a people that were bessed with natural musical ability, many of us. As such, most people in music ministry are just naturally gifted singers. It’s often hard for a person who has always been naturally gifted at singing to understand why they’d need vocal training or how it would benefit them. Simply put, vocal training doesn’t teach you how to sing. Often it’s the people who were born gifted singers who benefit the most from vocal lessons. Why? Because taking vocal lessons teaches you how to eliminate the common physical limitations that hinder us from taking our ministry to the next level. We’re talking about things that distract you while you’re tryng to minister and give yourself completely to that moment.

More importantly though, vocal training is the fastest, most effective way to dramatically improve points one and two above; ease of range and accuracy of pitch. You really don’t need a 3 or 4 octave range to sing most songs. A 2 octave range is plenty for most songs. The thing is though, while you don’t really need to concentrate a lot on increasing your vocal range, becoming a better singer has EVERYTHING to do with mastering the range you already have. Just getting to a place where you can sing all the notes in your current range comfortably would make a huge difference in your overall toneal quality and pitch.

I believe very strongly in the power of vocal training and it’s ability to transform your ministry. And I think it’s something every Christian singer should experience. That’s why I created a free 5 day video vocal training course to give as many people as possible a chance to see what it’s like to try real vocal training BEFORE making an investment in my full length home study course. . You can get yours by joining my mailing list below.

So remember, how good of a singer you are is a lot less about opinion and more about the foundation you build your musical house on. Concentrating on the basics; ease of range and accuracy of pitch. They’ll take you a long way.

Until next time!

-Ron

 

The one thing every great singer does…

First off, I suppose I’d better start off by defining what I mean by “great singer”. When I mention the “greats” I’m talking about those vocalists who have achieved critical acclaim for their singing. I’m talking about singers who are universally considered some of the best there is, by people across all genres, styles and backgrounds.

There are, for example, some artists in Gospel that have achieved great things and have a huge fan base. Gospel fans may think they’re the best out there but very few people who don’t listen to Gospel know who they are.

So, who are some people who have achieved this kind of universal acclaim as great singers? I’m talking about people like Frank Sinatra, Barbra Streisand, Whitney Houston (pre Bobby Whitney, ok?, lol) Luther Vandross. Remember Mel Tormey (sp?) Considered such a smooth vocalist his knick name was “The Velvet Fog”.

I could go on, but you get the picture. These are people who are known the world over as simply some of the best vocalists out there…by everybody, not just fans of their respective genres.

There’s one thing that every one of these singers do, that you can do too; immediately and without a single lesson.

Ready? The answer is one word…..

SIMPLIFY

I happen to know that most of my subscribers to this blog sing either R&B or Gospel. In both of these styles of music people tend to equate great singing with the ability to do lots and lots of vocal runs, riffs, trills and such. This has to be one of the most coveted vocal abilities of them all. It’s so important to many singers that they do it almost the whole time they’re singing.

But often I think we get so caught up with the fancy stuff we mistake the fancy stuff for actual singing. Riffs, runs, trills, and other “vocal acrobatics” (as Arron Nevel called it once) are style elements; they are nice touches that should be sprinkled into your singing here and there for style.

But many singers mistake riffing for singing. Because this is such a highly regarded ability in Gospel and R&B, many singers mistakenly put way too much emphasis on it in their singing.

But look at the singers I mentioned above again. I’m sure you can add a few names to the list I’m not thinking of right now. But the point I’m making here is this: all of these singers are known the world over for their ablity to create some of the most beautiful music with their voices. Why? Because they place the emphasis on pure, honest, true tone production.

I heard Whitney’s performance of the Star Spangled Banner again the other day and it gave me chills. Still considered to be one of the best renditions of it ever. No trills, runs, or riffs. She just sang the notes; pure, clean and with deadly accuracy of pitch.

There is no instrument more complex than the human voice. It is about the only instrument that can’t be accurately duplicated by any keyboard. As such, no sound is more beautiful or unique than the sound of a human voice producing pure, clean musical tones with spot-on pitch.

So, as simple as it sounds, if you want to instantly improve your sound, do what the greats do..simplify. Just sing honest, true musical tone as clean and as pure as you can. If you want to work on anything, spend as much of your time as possible working on pitch. Always be on pitch, even if you have to sacrifice style elements you want to do.

Want make that Worship song transport the audience into the very presence of God? Strip your performance of it down to nothing but the pure musical notes it calls for, and sing them as clean and simply as possible. You will move your audience to tears.

Want to make that love song have people gazing into your eyes? Same thing. Luther Vandross hardly ever did a run or riff, and was overweight most of his career. Yet he was considered one of the most amazing ballad singers of our time.

Let’s look at an interesting contrast, just to prove a point. I’m a big fan of Stevie Wonder. Now, let’s face it. Stevie Wonder does a lot of riffing, and he does it like he invented it. The man is incredible. He uses his voice like a weapon, lol. Stevie can sing, no doube about it. AND….Stevie has indeed received critical acclaim the world over.

But NOT for his singing. When you think of Stevie Wonder what do you think? “That man’s a musical genius! He’s an incredible writer”. So does everybody else. That is his claim to fame.

Now, when you think of Luther, what do you think? “That man can saaang!”So did everybody else.

Get it?

So the word for today is…..Simplify.

 

When a singer gets sick; 3 things you should never do

As I write this we’re in the middle of one of the worst flu seasons ever, according to the experts.  But it takes much less than that to negatively impact the average’s singer’s voice. In fact something as simple as a common cold has been known to cause some singers to completely lose their voice for a period of time.  When you’re not feeling well and you notice it’s affecting your ability to sing, that means your vocal cords are probably suffering some inflammation and irritation. Unfortunately, most of the things singers immediately do when their voice starts to suffer from an illness will actually make the situation worse. So today I’m going to list 3 things almost all singers do when they get sick and why you should avoid doing them. Before we continue, these tips assume one of two things;

1. You’re starting to get sick and it’s affecting your ability to sing. However it’s not bad enough yet for you to be bed-ridden.  2. You’re just starting to get over being sick and now you’re trying to get your voice back into shape. A singer who finds himself in either one of those scenarios should never do the following:

 

1. Keep singing.

Yes, I know. The show must go on. You don’t want to seem unprofessional. You’re gonna let everyone down. I get it.  But here’s the thing. When your vocal cords are irritated and inflamed they don’t function correctly. Inflammation can cause them to get stiff and not close properly. So any kind of additional stress you add to the mix actually makes it worse and increases your chances of losing even more of your voice. It’s better to simply cancel your engagement or church performance. Trust me, you’d rather deal with a few people inconvenienced or disappointed rather than deal with some long term complications with your voice.

2. Drink tea with honey and lemon

Say WHAT?? Yes, one of the most common, popular home remedies for making a voice better is actually a myth. Here’s why. Both tea and lemon are very acid foods. Acid is NOT what you want to be eating if you’re trying to nurse your voice back to health. While it’s true that nothing you eat or drink will come in direct contact with your vocal cords, acid foods can cause acid re-flux  You’ll forgive me if I don’t graphically explain all the nastiness that happens there, I hope. Suffice it to say though that there’s a lot of acid in your stomach, as you can imagine. When acid re-flux happens that acid comes up and….ok. I said I wasn’t going to describe that, didn’t I? The honey is ok though. There, I threw in some good news for you. :O)

3. Drink “hot toddy” -type drinks or medications high in alcohol. 

A Hot Toddy may feel mighty good going down, but pretty-much all of it’s ingredients are bad for your voice when you’re trying to get it back to health. Since they’re often made with tea and lemon or oranges, they’re full of acidic foods. We’ve already discussed why you want to avoid those when you’re sick or recovering and trying to get your voice in shape. Alcohol dehydrates. This is very important to know when you understand how important moisture and lubrication is to the proper, safe function of your vocal cords. If they’re already inflamed and irritated they’re stiff and not vibrating properly. Add dehydration to the mix and you have a recipe for some serious damage.

The most important thing to remember as a singer is that you  MUST keep your vocal cords moist and lubricated. That said, the most  effective thing you can do for your voice is drink lots of water.  Water keeps your whole body hydrated. Breathing steam, using a humidifier and the old-fashioned “lean over a pot of boiling water with a towel over your head” are all good ways to get your voice back into shape after a bout of the cooties. Ultimately though it’s far better to do whatever you can to avoid getting sick in the first place. It can be hard to do, but most people could avoid it by simply washing their hands more often. Certainly at key times like before a meal, after a trip to the bathroom, before you touch your face after touching public services or coming in contact with people.

The good news there is that ordinary soap and water does the trick just fine. No need to buy special anti-bacterial soap. The only advantage of hand sanitizers is the fact that they can be used when soap and water isn’t around. But they don’t work any better than ordinary soap and water. As they say, an ounce of prevention is worth a pound of cure. But if you do get sick, taking a few extra precautions to protect your voice will get you back to 100% much faster.

Image courtesy of graur razvan ionut”FreeDigitalPhotos.net

Vocal Ministry Breakthrough is now LIVE!

Well gang, I’m very proud and excited to announce that my first official coaching product has launched and is available for sign-up. Vocal Ministry Breakthrough is the first home vocal training course of it’s kind and I’m excited for you to see it. Today I’m offering a free 7 day trial for everyone who joins. Your credit card won’t be charged for a full 7 days. Join and take a look around. Inside you’ll find the first lesson active and ready to go. But you’ll also find all 5 lessons from the free 5 day vocal training course. So go check it out, get signed up and tell me what you think. Oh, and if you’re going to look at this at work, be aware that I have a video on the site that starts automatically with music playing.  So watch the volume! Http://www.themusicministrycoach.com/vocal-ministry-breakthrough 

Image courtesy of “Stuart Miles”FreeDigitalPhotos.net

3 things in Vocal Ministry Breakthrough not found in any other home study vocal training course

This past Saturday, as I’ve done for several weeks now, I got up at about 7am, made myself some coffee and went to work creating and editing the content for my soon-to-be-released home study vocal training course, Vocal Ministry Breakthrough. This particular Saturday was all about editing videos lessons I’d already completed- a long, tedious process that I spent about 10 hours of my Saturday doing. As I worked on the course content I thought about how important it is to me that the course have something unique and different to offer my customers, followers and friends who have been supporting me since I came on-line.

I started thinking about all of the nice things people have said to me about the free 5 day vocal training course (which I still give away for joining my mailing list), and I noticed a few comments that seem to come up over and over. Sunday morning as I did a real-time review of all 7 videos I’d spent all day Saturday editing, I could finally see from their eyes what they’ve been telling me in the many comments I get at the bottom of the videos.
I have to say guys, I’m pretty proud of the product that is developing here, and I think people will really, really be blessed by it. As I told a friend just the other day, I don’t want this to be just another home study vocal training course with a Christian name slapped on it, but nothing really different or decidedly Christian about it’s content. And I think I’m well on my way to achieving that. So I thought today I’d just share with you 3 things you’ll find in the course that you don’t typically find in any other home study vocal training course.

 

1. Mistakes!

 

One thing I’ve always done is be very real and very candid in everything I do. So in my training videos I made the decision a while ago that I would just turn it on, shoot and be myself. I edit things where I’m over-explaining or being redundant, but otherwise you see it all. In this course you’ll see me have trouble and crack and sound horrible in some exercises! Now, most vocal coaches would never show you that. They would be good and warmed up before they start, then if they have any trouble with an exercise, they’d edit that out. They would then practice it until it’s perfect and then film that.

But I want my students in the course to feel comfortable, not inferior. It’s kinda like those exercise dvd’s you buy where everybody in the video has these amazing bodies and you think “OMG  I’m never gonna look like that!”  You’d feel better if you saw at least a couple of people a little out of shape, in the back sucking wind like you, lol! I don’t want anyone feeling that way as they move through my course, so I leave my own cracks and flips and breaks right in, and then we laugh about it together! That way when it happens to you, you know it’s normal and it’s ok, because you just saw the vocal coach have the same problem with the same thing!

 

2. Plain English.

 

One thing I’m complemented on more than anything else is the fact that my instruction is simple and easy to understand. That’s because I’ve always avoided using most of the industry terms and complex anatomy names that many coaches use. I speak in a language that’s much like the language I use every day talking to my friends. So my training videos tend to feel like that for people who watch them.

 

3. Prayer and scriptural teaching

 

make no mistake, this is a vocal training course. As such the lion’s share of what you get in this course will be vocal training, heavily focused on proper technique. But as I said, I wanted to be sure that this course had something specific to offer people who work specifically in music ministry. People who are believers and want to improve not only their singing, but their ministry. In other words, I don’t want this to be just a vocal training course with a Christian name. I want it to be a vocal MINISTRY course. As such, subscribers to this course will see things not likely found in any other home study vocal training course. Like videos where I teach on music ministry-related scriptures and concepts that help you transform your music ministry mindset. Gospel singers will hear references to popular songs that many of us have trouble with. It is in every sense of the word, a Vocal Ministry course.

Subscribers to the course will find it easy, funny, engaging and inspiring. I can’t wait for you to see what God has given me to give to you! Vocal Ministry Breakthrough is available now on my website. Take the step now to invest in the most fertile ground you can invest in. Your own ministry.

I’m looking forward to working with you!

View The Course

Image courtesy of Master isolated imagesFreeDigitalPhotos.net

3 compelling reasons to take vocal lessons with a coach who specializes in your genre

Before I even get to the list I’m going to present to you today I want to preface it by saying that I believe all trained vocal coaches can significantly improve the average singer’s voice. There are many methods and techniques out there, and quite often you’ll see vocal coaches touting theirs as superior to all others. Even worse is when they go on to point out other methods or techniques as bad or useless. That’s something I think really lacks professionalism and something I avoid doing. I don’t know a single professionally trained vocal coach that doesn’t have a long list of happy, glowing testimonials. Most methods based on solid technique have more similarities than differences.

The truth is, good technique is good technique, period. And there is something to be gained from just about all disciplines of professional vocal technique. I’m going out of my way to point that out because I believe any style of singer can benefit from vocal lessons with any vocal coach that has had some kind of professional training with benchmarks, certifications of some kind and levels of proficiency that must be met. When you get into people who have started teaching lessons based on nothing more than the fact that they’re a naturally good singer, that’s when you run the risk of possibly doing some harm to your voice.

All that said, I do believe there some very distinct benefits you get from studying with a vocal coach who specializes in your particular style or genre of music. A genre-specific vocal coach;

 1. Knows The Music

A vocal coach who specializes in your style of music will know most of the artists and popular songs of that genre. That’s a big help when you’re working on specific songs because the coach may have the song, know how to play it, or simply be familiar enough with the song that he understands better what your challenges are or what you’re trying to accomplish

 

2. Knows The Lingo

Every genre of music kinda comes with it’s own language. This goes beyond common terms like the verse, the chorus, etc. It’s the kind of language that centers around the very culture of a genre of music. Once I was taking a vocal lesson with a vocal coach who specialized in theater, for example. I was working on Hezekiah Walker’s “Grateful”. Of course, the tough part was the last modulation (moda-what?) that happens in the vamp (the what now?)…you know, the press (hunh?).

But when it really dawned on me how different it can be working with someone not familiar with the kind of music you sing is when he got frustrated with the fact that the song was so high for a tenor. “Good God, why don’t you just change the key?” Again, a logical and fair question, but one you don’t have to ask if you know the culture of Gospel music.

3. Knows The Lifestyle

Every genre of music has a lifestyle. The people who dedicate their lives to it grew up listening to it. It shaped everything from the way they talk to their style of dress. Again, that’s something that has little to do with good technique. Bot often it’s the intangibles like those that make one vocal coach a better fit simply because he understands it better and can thereby relate better. Another example of that comes to mind with the same vocal coach I mentioned earlier. I had the privilege of  watching him work with a few students that day. They were all little girls or young teen-age girls coming in with their moms. He specialized in theater so they were all doing these show tunes and talking about all the various venues and audition processes, other professionals in the industry, etc. Then she pulled out her sheet music for the song she wanted to sing. He took a quick glance over it and started to play it on-site.  Again, we teach the same vocal technique! But she would have gotten so much less from me than she did him, simply because I just couldn’t relate to the culture, nor did I know the music or the artists.

Funny story, I sang a song for my vocal coach the first time I met him. I think it was Amazing Grace. Now,  I thought I was singing it pretty straight-forward and rather non-descript. But when I finished he said “wow, you should really think about doing style coaching!” We went on to say how sooo many of his students who sing pop have great voices but lack any “soul”. And he couldn’t teach it to them. Just like I couldn’t teach them the in’s and outs of theater that must accompany the technique.

That’s really the whole premise behind my new vocal training course Vocal Ministry Breakthrough. As I said to one student just the other day, I really didn’t just want to do a typical vocal training course and slap a Christian title on it. I wanted it to be something that speaks to the whole person. That’s really what the name is all about, as is the name of my company. I’m not just trying to take your voice to another level. I’m trying to take your MINISTRY to another level. And that’s the special difference you’ll find in this home study course that you won’t find in any other one. The same is true when you study live with me, as many of my former students will attest.

So in summary, you can likely get good results studying with most any trained professional. But studying with someone who specializes in your genre or style of music gives you those little extras you can’t get anywhere else. So study with someone who “gets you”, and you’ll be rewarded with much more than just some good technique.

Image courtesy of “Danilo Rizzuti FreeDigitalPhotos.net

 

 

7 keys for success with a home study vocal training program

If you’re connected with me in any way you’ve heard by now that I have a full length, 6 month home study vocal training program Vocal Ministry Breakthrough. But even with all the financial, convenience and time saving benefits of studying home, I’ve encountered a few people who are skeptical of taking lessons this way. In this article I’ll give you 7 keys to getting the most out of a home study vocal training program; or any home study course, for that matter.

1.  Self motivation is NOT EASY. Know that going in and be determined to stay the course.

One of the hardest things about doing pretty-much anything at home on your own- whether it’s taking a vocal training course like mine or working out at home, is making yourself do it. The number 1 reason people fail with home study courses is simply not doing the course work. In the comfort of your own home with all it’s distractions it’s all too easy to just decide to do it tomorrow. Only tomorrow often never comes. Go into a home study fully aware of this and resolve to be absolutely determined to do your course work daily.

2. Set aside a time for your course work and stick to it.

Assign a time of day or evening you will do your lessons, and stick to it. Doing so will help you adjust your schedule around that time slot so you’re more likely to do it every day. Don’t make the mistake of making your lessons the last thing you do after you’re done with everything else. You will be tired and more likely to blow off your lesson for the day.

3. Make the family aware and ask for their support and encouragement.

You may as well start wrapping your mind around the fact that you’re gonna have to make a bunch of really weird, funny, embarrassing sounds in front of your family, lol! Telling your family in advance that you’ll be doing this will help everyone acclimate quickly. Inform the family that you’ll be taking a home study vocal training course, and that you’re really serious about it. Tell them what time of day you’ll be doing the lessons and about how long, and ask them not to disturb you during that time. Having the family on board and aware of what you’re trying to accomplish makes it easier to stick to your designated lesson time.

4. Choose a quiet, out of the way spot to do your lessons and practice time.

Again, designating a specific time and place for your lessons serves to quickly establish it as a regular part of your daily routine. You need that place to be as quiet and out of the way as possible not only so you don’t disturb anyone much, but so you are less likely to be disturbed yourself.

5. Take the course as seriously as you would face-to-face lessons

It’s a very common thing for some people to automatically take studying at home less seriously than studying at a studio. Of course everything I’ve listed above plays into that in it’s own way. But there’s something about a treadmill in your living room that just feels way more “optional” than the one at the gym, doesn’t it? The same holds true with vocal lessons at home via a home study course vs. going to a vocal studio and standing in front of a vocal coach for an hour.

Approach your home study course with the same determination and resolve you would for live face-to-face lessons. Remember you’re paying for the lessons so if you don’t take them you’re throwing hard-earned money away.

6. Don’t skip ahead before you’re ready

It’s very important that you’re honest with yourself when you’re studying at home. You may be tempted to move on to the next video if you get frustrated or just tired of doing the current one. If you do that however, you’re sabotaging your own progress. Stay with the current exercise until you have it down before moving to the next one.

7. Incorporate a live session periodically.

One of the biggest drawbacks about studying vocal training at home is that you’re often just not sure if you’re doing it correctly. For that reason you should seriously consider scheduling a short Skype session with me about once a month, or any time you find yourself stuck. Live support/coaching is something seldom available with other home study courses, but it can be the key to getting you past a plateau and keeping you progressing.

So there you go! Follow these 7 tips when you sign up for Vocal Ministry Breakthrough and you’ll see dramatic results in pretty-much every aspect of your singing; all of which will transfer to dramatic changes in your ministry. “I’m ready to take my music ministry to the next level!”