How To Identify Keys On A Piano (every singer should know this)

You’ve heard me say it before if you’re a regular reader, but every singer should at a minimum be able to tell the musician what key they sing a certain song in. Especially in Gospel churches where most music is done on the fly and you often don’t know who’s playing for you. Knowing what key you’re going to sing in insures that you won’t start in a key that’s too high or one that you haven’t been practicing in. We’ve all seen that happen and it ain’t pretty!

Even if you’re not interested in learning to actually play, learning your keys on the piano is easier than you think. In fact if you can say your ABC’s (you don’t even need all of them, just the first 7) and recognize a very simple, very repetitive pattern, you can learn the keys on a piano in minutes. Look at this graphic of a piano keyboard. piano-notes-and_keys

The first thing I want you to notice is that, as I said, we’re only using the first 7 letters of the alphabet, A thru G. Now look at the black keys. See the pattern? All the way up the keyboard, you’ll see groups of 2 black keys and then 3 black keys. Now let’s look at the key of C. Notice how the key of C is the first white key to the left of the 2 black keys. Because this pattern repeats the entire length of the keyboard, every time you see 2 black keys the first white key to the left of them will be the key of C.

Once you know where the key of C is, it’s as simple as pressing down the next white key and saying the next letter in the alphabet. Look at the graph again: C, D, E, F, G, A, B, C. We started over at A when we got to G because in America these are the only letters we use in music.

So what about the black keys?? The black keys represent the sharps and flats in music. This can get involved if you’re actually studying music theory, but that’s not our purpose here. We’re just learning how to identify what key we’re singing in. For that we can use this simple rule: The first black key to the RIGHT of a white key is it’s sharp. The first black key to the LEFT of a white key is it’s flat.

So let’s look at the key of C again. Where is C located? First white key to the left of the group of 2 black keys. So if we look at the key of C, what’s that black key to the right of it? It’s C Sharp! Or, you could call it D Flat, since it’s the first black key to the left of the D key. This also works all the way up the keyboard. For example what is the black key to the right of the A key? You could say “A sharp”, but it’s more commonly referred to as B flat. Either way, if you said it to a musician he’d know where to put you.

If you have a pretty good ear- meaning you can listing to music and find that key on a piano, then now you know how to identify what that key is so you can tell a musician. But if you can do that, then why not take it one step further and just learn how to play! Learning to play keyboard will absolutely transform your singing, and you can learn it on line.

By far my top resource on-line for learning about piano, no matter what level you’re on, is HearAndPlay. These guys have a ton of free information that will help anyone at any level understand more than you ever thought you could about playing the piano. It’s really a good thing to be on their mailing list if you’re someone who is serious about learning how to play. You can get some free lessons just by visiting this link. Check it out!
Free Piano Lessons

The Truth About Hard Keys (And What They Can Teach You About Life)

Like a lot of Gospel musicians, there are keys I’m not too fond of. They’re usually “white keys” like A, B, D E and G. Many Gospel singers feel the same way about these keys in particular. What makes these keys so unpopular with many Gospel singers? Well, most musicians, myself included, would tell you these keys are harder to play in. But I was watching a training video one day that kinda changed my whole perspective. Not just about “hard keys”, but about anything I find difficult to do.

So anyway, I was logged into the Gospel Musician Training Center (aff. link) looking at one of the many song teaching videos they have there. It’s an amazing membership site where you can go to watch instructional videos of instructors teaching you some of the most popular songs in Gospel music, step-by-step and chord by chord. Amazing resource for learning to play real songs real fast. Check it out here.

Anyway this particular song happened to be in one of those keys I really find hard. And because the instructor himself is a Gospel musician he already knew there would be many watching that video would would cringe when he told us what key it was in. So he mentioned it right up front. But what he said was so simple yet so profound that I never forgot it.

What he said basically is that the particular key in question wasn’t really harder than any other key. That, he said, goes for all the keys musicians find difficult to play in. We only find them difficult, he said, because we’re not used to playing in them. Spend some time playing in these keys and getting used to them, and you’ll eventually find them as easy as any other key.

These keys are perceived as harder to play in simply because we don’t encounter them very often in Gospel music-even less in our local churches. So it’s not that they’re any harder, it’s simply that we haven’t developed the muscle memory in those keys because we don’t play in them often. In fact if we’re honest many of us will actually change the key of a song if it happens to be in one of those “hard” keys. So they continue to be hard keys for us because we never really spend as much time deliberately playing in those keys as the ones we like.

I kept thinking about that and God kept revealing to me how that works in so many other areas of my life. How many things have we labeled “too hard’ simply because it was awkward the first time we tried it? How many things could we learn to do if we simply spent some time practicing it?

Pretty-much everything in life we find challenging can be mastered by developing the same “muscle memory” that enables a musician’s fingers to automatically go where they need to go in any of 12 different keys and hundreds of songs. Think of all the things we do now on auto-pilot, without even thinking.

When I get in my car, for example, I unlock it, get in, adjust mirrors, the seat, put on my seat belt, put my foot on the brake, put it in gear, put my foot on the gas and take off….all simultaneously, in seconds and without thinking about a single step. challengesRemember how hard and complicated and cumbersome that process was when you were first learning it though? So what if you thought about every difficult or unfamiliar task that way?

What are the “hard keys” in your life? In your ministry? Identify them and you’ll probably realize that just like the hard keys on the piano, they really aren’t harder than anything else you’ve learned to do.

Why Gospel Musicians Don’t Share Playing Tips

So I put out a challenge on my fan page the other day asking all my musicians to do a “1 minute lesson” with someone. The next time someone asked for help or tips, take them aside and just show them one simple thing they could take with them and practice. The idea was to break some of the negative images Gospel musicians have as selfish arrogant people who never give back.

Now, usually if I send a shout-out to the musicians on my fan page they show up in droves, chatting and posting comments, participating in the conversation and really hanging out with me. This time though, all I got in response was the finely tuned sound of crickets chirping. This is not something most musicians care to discuss.

Someone posted and asked me the question “So what is the reason most musicians don’t want to share tips?” I thought about it a while, trying to determine the best way to explain it to her without making the post too long. Well that didn’t work. My answer went on for several paragraphs, lol! But it got the attention of at least one musician who had an “OMG” moment, leaving me a kudos-filled comment generously sprinkled with lots of exclamation points.

So suffice it to say that I thought the answer seemed too important to leave it there on the page to be pushed down until it’s eventually out of sight. So I decided to post my answer as a blog for all my readers here. I hope this offers a different perspective for you to think about the next time this comes up for whatever reason. Or the next time you’re headed toward that organ after the benediction.

“So what is the reason must musicians don’t want to share tips?”

I have to qualify my answer by first saying I’m not at the level of many of the musicians who frequent the page. But while there could be any number of reasons, I think a lot of it has to do with the way people approach musicians about showing them things.

Highly skilled musicians don’t get that way by accident. Their skill represents years of dedicated practicing for sometimes hours at a time. People often approach musicians wanting to bypass that work and just go straight to the cool chords or the great run.

For example someone might hear a great chord and want the musician to show it to him note by note. But the musician knows the chord because he has painstakingly studied theory and learned how to build these amazing chords.

He also knows that most people who ask for the chords wouldn’t really know how to use it anyway. Then of course there is the proprietary aspect of such things as chords and runs, and how they tend to define the signature sound of one musician vs. another one. Musicians often create these chords and runs from scratch. 

They work very hard developing such things, and I think it’s just a matter of wanting to see that kind of initiative in someone else, rather than simply asking for the notes.

One other example just to really illustrate it. Often skilled musicians will do these amazing runs. People hear them do it and then want the musician to just give them the run note by note. But the musician has studied and learned several different types of scales and their application, carefully worked the run out note by note and created it from scratch, then spent hours developing the muscle memory and speed..

So you can imagine he or she might be reluctant when someone walks up and just wants him to give it to them note by note. I think if people were asking musicians questions about practice tips and good resources to learn theory, etc. they’d get much less evasive answers. 

I think you see musicians more willingly sharing with other musicians who have also achieved the same level or similar level. Simply because they know that person is at least as serious and as dedicated as he is.

People say that musicians don’t share because they’re selfish or worried about someone taking their spot, but seldom does a skilled musician have that to worry about, because so few people are willing to put the same amount of work in. 

So this one-minute lesson challenge doesn’t ask musicians to do that. That’s why I called it a “one minute lesson” challenge. One minute or so is enough time to show that guy asking for the notes to the run you did the pentatonic scale, and explain to him that the scale is often used in many runs you hear in church. Then challenge him to learn the scale in all 12 keys.

If you’re trying to really take your playing to the next level you won’t get there asking for quick tips after church. You need some training. Specifically, training designed specifically for Gospel Musicians. The source I use and highly recommend is The Gospel Music Training Center, from Hear And Play. I’ve been a customer for years and they’ve helped me tremendously. Check it out here.

5 ways learning to play piano will transform your singing ministry

octavesEvery singer longs to be the best they can at their craft. But of all the training, articles, You-Tube videos, books and manuals we consult for help though, the one most powerful thing a singer can do to improve virtually every aspect of his singing is often completely overlooked. That is learning to play an instrument. In particular, learning to play piano.

Today I’ll cover a list of powerful benefits a singer will get from learning to play piano.

1. Harmony becomes instinctive for you

Many singers struggle with learning and remembering their parts in situations where they have to sing harmony with others. Even those who pick it up easily can not often find that harmony themselves without someone teaching them their part. Learning to play gives you a completely new insight into harmony and how it works. You learn how to form chords, how notes harmonize with each other and how to build those harmonies from scratch. As a result singing harmony becomes second nature to you because you now understand how it’s constructed and how it works.
2. You become more creative vocally

Aside from the more common desires we have for more range, better breath control, vocal stamina, power and the like, many of us just feel kinda stuck, you know what I mean? We feel like we’re doing the same stuff all the time. The same vocal inflections, same runs and riffs. Learning to play piano opens your creative mind up in ways you’ve never thought of before. I’ve said before that your voice is a musical instrument and you should think of it that way. Learning to play bridges that mental divide between the physical instrument and the vocal instrument, your voice.

As you get better and better on the piano you’ll find that you get more and more creative with your style choices when you sing riffs, runs and even just normal melody choices within a song.

3. Everything about music comes easier and faster for singers who can also play piano

To learn piano you have to learn some musical theory. You have to learn how music works. Why music always goes in certain directions. Why certain notes work together. Why things repeat in certain places. How music moves in patterns and circles. The more you learn about this in your studies of the piano the more aware it makes you as a singer. Soon you’re learning vocal pieces in half the time. You know what your part is going to be before the director or musician gives it to you. You know what keys you sing all your songs in and how to tell the musician where you want him to go. It’s an entirely new awakening for a singer. You really do become a musician in every sense of the word.

4. You don’t need a musician anymore. You can accompany yourself!!

This is probably the coolest benefit of all. And if you’ve ever been asked to go sing at a church you’ve never been before only to find that the musician (a) doesn’t know the song you want to sing or (b) there IS no musician!) then you know what an incredible sense of freedom that would be. To be able to just sit down and play for yourself. Wow.

5. You’ll start writing your own material

When you learn to play an instrument something happens to your entire creative process as a singer. It makes you think differently. So it’s only a matter of time before you start hearing melodies and getting little phrases to go with them. Before you know it you’re getting ideas for songs. It’s an amazing gift.

There is no other single thing that can benefit a singer more ways than learning to play piano. Contrary to what you might think though, it’s not something that’s out of your reach or too hard to do. Today there not only many home study options available, but several that specialize and focus specifically on learning to play Gospel. When I went looking for some training to improve my own playing some time ago, I came across a company called Hear And Play.

Hear And Play is a Gospel is a piano training company that specializes in learning to play all aspects of Gospel music. These guys have absolutely set the standard by which all other such companies are judged, in my opinion. I’ve learned so much since I started following them and purchasing their training products, and my own playing has improved tremendously. What I like about this company is that no matter what level you’re on; complete beginner who doesn’t know anything at all, or seasoned professional who wants to take his playing to still another level, Hear And Play has training methods and products available for you.

I have been so impressed with this group of young, saved, African-American musicians that I became an affiliate of the company so I can help promote this incredible resource. That simply means that if you end up buying something from them I’ll get a small commission. I don’t mind sharing that with you because I’d tell you about them either way. I highly recommend checking these guys out. Their 300 page course is one of the products I’ve purchased myself and again, I recommend highly.

Click the link below to go check it out.

Take care!

Ron

Piano Fingering; which finger goes where and why?

I’ve been playing keyboard for years now, but I’m self taught and I’ve never had lessons. One thing I struggle with often, especially when trying to do some kind of run or something, is where to place my fingers. What’s the proper fingering for all those great piano and organ runs? How do you know where to place your fingers on the keyboard or organ when you’re doing Gospel runs?

Well I found a video that really made it plain for me. I love it when someone teaches in plain, easy-to-understand language. The instructor in this video really did a great job of taking something that many piano teachers over-complicate, and explaining it in very common-sense language. I’ve never heard proper piano fingering explained quite this way. Check it out and by all means, please follow the link over to his channel and subscribe or leave him a comment.

Piano Fingering: Which Finger Goes Where, And Why?

http://www.playpianocatalog.com Piano Fingering: Which Finger Goes Where, And Why? There are some excellent reasons to use the fingering that is recommended …