Why You Should STOP Using Lyric Sheets To Learn Songs ASAP

Act 2 Scene 1Whether you’re working with a choir, praise team, group or even if you’re a solo act, chances are you’re experiencing (or have at some time or other) trouble remembering the lyrics and keys to new songs. This is an especially common issue in Gospel music ministries where sheet music is almost never used. Often it can really take a while to get both the lyrics and the harmony locked in and memorized. Even once it seems like you finally have it down at rehearsal, many groups find that they have forgotten much of it by Sunday morning.

One thing choir directors and Music Ministers do to help keep the rehearsal moving along and assist with the learning process is to pass out lyric sheets. Ironically though, lyric sheets do much more to cause the problem than they do to fix it. I’d say the single most effective thing you can do to cut learning time and improve retention is to STOP using lyric sheets at your rehearsals.
Lyric sheets are a “mental crutch” of sorts because they cripple your ability to memorize the lyrics and melodies that are being sung to you. Think for a minute about the way we learned things as a child. Consider the alphabet, for example. Most of us already knew the alphabet way before we got to kindergarten. For a child It’s 26 random letters in no particular order. And most of us never saw it in print until we got to kindergarten. Wouldn’t matter anyway, because we couldn’t read!

So how did we learn the alphabet, some of us before we could even talk? That little song, of course. Our parents sang that little song over and over to us. To our brains, the letters and the melody they were sang over became one inseparable thing. We are only able to recite the alphabet now without music because we learned that song first. If you don’t think so, try saying them backwards right now. You’ll be able to do it but you’ll have to put much more thought into it than going forward. Why? There’s no backward alphabet song, lol!

If you were blessed enough to be a kid during the School-House Rock era you can think of all kinds of things you know today because of those songs they sang to us every Saturday morning. But here’s the amazing thing; you still know those songs decades later! Go ahead, sing “We The People”. How about “Conjunction Junction”? Go ahead, I’ll wait. 🙂

The unique thing about learning songs in particular is that process I mentioned earler where your brain actually uses the melody to memorize the lyrics, and vice-versa. Place a lyric sheet in front of you and the process is interrupted. First of all your brain will not make the effort to memorize lyrics as long as you have them in front of you.

That beautiful process our brain does without lyrics- that marrying of words and melody into one inseparable thing- gets “separated” by lyric sheets. When you’re looking at the words as they’re being sung to you your brain focuses less on the melody so you tend to have a harder time memorizing your part. But you also have a harder time memorizing the lyrics because they’re right in front of you. So your brain just reads instead of memorizing.

Then the instructor goes back over your part again, only now you can’t remember the words without looking at the lyrics. They have a way of switching your brain off. In fact chances are you’ve found yourself looking at a lyric sheet and not even really focusing on the words in front if you. Or tried to follow along on a lyric sheet while you listened to the song and actually having trouble keeping up. Or looked at a lyric sheet when you already had the words memorized, just because it’s in front of you. So lyric sheets actually do much more to slow down the song learning process than they do to speed it along.

Left to do its work as God designed it, our brain uses the melody to teach us the words and the words to remember the melody. So when you get up Sunday morning to sing a new song, nervous because you think you’ve forgotten the words, it all comes flooding back as soon as you hear the band start the intro. Then the director mouths just the first 2 or 3 words and there it is. the whole song, words and parts, ready to burst forth.

To be sure, there are certain situations when having lyric sheets is practical. Mass rehearsals where you must cover a large number of songs, for instance. If you have 10 songs to rehearse it makes sense to have the lyrics just to keep things moving. Even then though, you should be strongly encouraging the group to use them as little as possible and move away from them completely once you’ve gone over all the material enough that everyone should be familiar.

So whether you’re the person responsible for teaching new material or just a member of the choir or group, using lyric sheets as little as possible is the fastest way to dramatically speed up the song learning process and improve retention. Try it at the next rehearsal and let me know how it goes!

4 ways to memorize lyrics without a lyric sheet

Duh I forgot something 52-4Well gang, not even a month after our last big Family & Friends musical for the sanctuary choir, we are back at it again preparing our junior choir for their own annual Family & Friends musical. This year I decided to eliminate lyric sheets for reasons I spelled out in great detail in my article Why you should stop using lyric sheets to learn songs ASAP .

So today I thought I’d offer a handful of tips I use to help memorize lyrics with no lyric sheets have been made available.

Break It Into Sections

This is actually one of the very first things I do when I’m studying a song to prepare myself to teach it. Breaking a song into sections gives you a smaller amount to have to memorize all at once. Try memorizing, for example, just the 1st verse. Then moving on to to the next section. Each time you’ve memorized a new section though, it’s important to go back and sing through from the beginning to the end of the last section you just memorized.

 Look For The Rhyming Words

The lyrics in most songs rhyme at some point. Paying attention to where those rhyming words happen in each line or stanza can help you remember lines. Using this method you know which words will have words in the next line that rhyme with them. This can be very effective at helping you remember the next line.

Connect With The Message/Story

Spend some time really internalizing the song’s message.  It is one thing, for example, to try to memorize a block of text. However when that block of text tells a story or make a point you can identify with from your heart, it’s a lot easier to remember it because now it you have an emotional and/or spiritual connection to it.

Use The Natural Rhythm And Cadence Of  The Lyrics

Every song’s lyric has a rhythmic flow. Places where it locks into the beat of the music, places where there are natural pauses, etc. These can be very instrumental (pun intended, lol) in helping you memorize song lyrics. For example, the following stanza would take you longer to remember if you approached it this way:

I believe the storm will soon be over. I believe the rain is gone away. I believe that we can make it through it. Oh, I believe it’s already done.

But watch how the pattern jumps out at you when you pay attention to the natural pauses and repeats as they are delivered in the song:

I believe

The storm will soon be over

I believe

The storm is gone away

I believe

That we can make it through it

Oh, I believe

It’s already done

Even though the lyric “looks” longer this way, you can see how much more natural and rhythmic it is. It stands out even more when you’re actually listening to the song.  These for tips are by no means an all-inclusive list of all the methods available out there, but they’re a good start. During my research for this article though, I came across a fantastic article that includes a much more exhaustive list of tips. I definitely recommend taking a look if this is something you struggle with. You can find that article here.

 

 

 

 

Why it’s better to sing in unison than with bad harmony

Schola Cantorum de Caracas (Venezuela) led by Maria GuinandDown through the more than 30 years I’ve been teaching vocal harmony for various choirs and groups I’ve developed a reputation as a “perfectionist”. Unfortunately I don’t think everyone who says this about me means it in the most positive way. In fact I’ve been accused of nothing short of dictatorship, although not in so many words. I suspect the same is true for many choir directors, music ministers and musicians around the world who are charged with teaching the songs their various choirs and praise teams bring before the congregation week after week.

As we discussed in another blog, some of the hardest, most frustrating rehearsals in fact have been those where the harmony didn’t come together quite so easily, but I continued to push until we got it right. In fact sometimes we didn’t get it right, and we decided to simply come back to it in another rehearsal rather than perform it before we had it perfected. And it’s times like these when people really wonder why it’s such a big deal to have everything so “perfect”. It’s most frustrating too, when it’s a really small thing that we just can’t get our heads around, you know what I mean? Like one note in one section that is being sung a half-step off, making this really unpleasant clashing of  harmony between the musicians and the singers. Often it’s hard for the choir members and praise team members to understand why it’s such a must that things like that be fixed.
Well, I can really sum it up for you with one sentence. it’s something God dropped in my spirit when I was very young, and it’s been one of the driving forces behind my style of teaching and ministry. He said this:

“The harmony is right when it’ becomes transparent.”

Looking back I think I knew everything that sentence meant the minute it came to me. And I knew that if I could help my choir understand this it would change the way they felt about the work involved with perfecting the harmony. Instead of resenting it they would come to embrace, understand it’s necessity and even prefer it. So God started to not only reveal this to me, but to admonish me to teach it to others so they really had a whole new understanding of why it’s so important to do this work.

So to explain it in a nutshell, God showed me that when harmony is right, nobody is paying attention to it. They’re only paying attention to the message. Beautiful harmony just makes the message that much more powerful. But when it’s right, the harmony is NOT the main attraction. The message is. Ironic, isn’t it? That we put so much work into the sound for the express reason of getting it to the point where nobody pays attention to it? But that’s the real reason we do it. The reason we MUST do it.

Because you see, when it’s wrong, everybody’s paying attention to it. But nobody for the right reason. When someone or some section is off-key, even if everything is going great up until that point, it will immediately draw everybody- and I mean every member of the group AND every member of the audience- OUT of worship and praise and focused solely on trying to figure out what’s wrong; “something doesn’t sound right”. Choir or praise team members start looking around at each other, the musicians, the director- ANYBODY that can help them find where they’re supposed to be. So again; NOBODY’s thinking about the message. There is no praise or worship going on at this point. Just uncertainty, confusion, embarrassment. Now everybody’s out of the Spirit and in self. So the negative effects are even worse on the choir or praise team than they are on the audience.

Case in point.

Our choir was doing a particular song one Sunday morning. It was a beautiful, powerful worship song. As we began to move through it the Holy Spirit started to move through the members and the audience as well. People were starting to lift their hands and just worship God through the song. But then we came to a place in the song where there has always been some uncertainty. It was a rather complicated movement, and not everyone really understood what was happening there.

The minute we reached that part in the song, it was as the Holy Spirit hit a brick wall. We immediately came out of worship as the members realized they didn’t know what part to do or where to do it. We didn’t understand it. We hadn’t perfected it until we really, really knew it. We went on and struggled through the whole movement to end the song. The embarrassment and utter disappointment was palpable enough to cut with a knife. Not having been the original teacher of the song, I vowed then that we wouldn’t sing it again until I could make every member understand exactly what was happening in this movement, to the point where it was almost instinctive.

And that is the most clear illustration I can give you for why song teachers, choir directors and music ministers all over the country drive and push their music ministries to excellence. I know what it looks like. But it’s really not about us at all. It’s about removing all distractions, hindrances and uncertainty that would take the focus away from our true mission; to deliver the word of God in song, and to do it in such a way that it’s effective and reaching the hearts of His people.

For that reason alone it is almost better to just sing in unison than to sing with bad harmony. But I feel the need to also make sure everyone understands that it isn’t about harmony. You don’t have to have harmony at all to have a powerful, anointed performance. A group of people singing in unison has the same effect as a group of people singing in perfect harmony. The sound becomes transparent vessel that delivers the message without distraction. Hezekiah Walker’s “I Need You To Survive” is a great example of a very powerful choir song that has no harmony.

The real point is to never allow yourself to be ok with putting something before God’s people that doesn’t sound good and you know it doesn’t. Not, at least, when He’s blessed you with the talent and resources to give Him better. There is a reason why the most disciplined, hard-working choirs and praise teams are usually the most anointed. God honors your music ministry when you’re giving Him your best. Once you really understand that you’ll slowly see your attitude go from “why does it have to be so perfect, we ain’t no professionals!!”- to ” can we go over our part one more time?” And that’s when God takes your ministry to another level.